"Requiem: IIj. Lacrymosa" by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan was released on April 26, 2024. Requiem: IIj. Lacrymosa is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Giuseppe Verdi, Herbert von Karajan, Antonio Vivaldi's "Karajan A-Z: Verdi - Vivaldi" album is number 239 out of 304. On top of that, Germany appears to be the country where this track was created. The popularity of Requiem: IIj. Lacrymosa is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: IIj. Lacrymosa by Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 122 BPM | ||
Messa di Requiem, Dies irae: Liber scriptus - Dies irae | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | G Major | 1 | 9B | 165 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | ||
Boris Godounov / Act 4: Odnazhdy, v vecherniy chas | Modest Mussorgsky, Martti Talvela, Nicolai Ghiaurov, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 80 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Dona nobis pacem | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 130 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Dalla sua pace" | Wolfgang Amadeus Mozart, Gösta Winbergh, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 83 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
Te Deum, WAB 45: 4. Salvum fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 89 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM |
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