Federico Moreno Torroba, Verónica Villarroel, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Juan Pons's 'Luis Fernanda, Act I, Scene 4: Luisa Fernanda y Vidal (Luisa Fernanda, Vidal)' came out on January 1, 1995. With this song being about 5 minutes long, at 5:05, "Luis Fernanda, Act I, Scene 4: Luisa Fernanda y Vidal (Luisa Fernanda, Vidal)" by Federico Moreno Torroba, Verónica Villarroel, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Juan Pons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Federico Moreno Torroba, Various Artists's "Moreno Torroba: Luisa Fernanda" album is number 4 out of 17. On top of that, France appears to be the country where this track was created. In terms of popularity, Luis Fernanda, Act I, Scene 4: Luisa Fernanda y Vidal (Luisa Fernanda, Vidal) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luis Fernanda, Act I, Scene 4: Luisa Fernanda y Vidal (Luisa Fernanda, Vidal) by Federico Moreno Torroba, Verónica Villarroel, Orquesta Sinfónica de Madrid, Antoni Ros Marbá, Juan Pons to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
Promessa - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Major | 0 | 12B | 127 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Sonata D Major, Op. 61: 1. Allegro | Joaquin Turina, Klaus Jäckle | G Major | 1 | 9B | 76 BPM | ||
Sonidos de aquel dia (Sounds from That Day) | Quique Sinesi, Victor Villadangos | D Major | 0 | 10B | 99 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Luisa Fernanda - "Escena Y Mazurca De Las Sombrillas" | Federico Moreno Torroba, Rosa Sarmiento, Josefina Cubeiro, Luis Sagi Vela, Carlos Del Monte, Jose Perera, Orquesta Lirica Española | B♭ Major | 4 | 6B | 80 BPM | ||
Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
Keyboard Sonata in G Major, K.14/L.387/P.70 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | G Major | 1 | 9B | 120 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM |
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