"L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?"" by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge was released on January 1, 1971. The duration of L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. Based on our statistics, L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act 1: "Lallarallara...Chi è mai quel matto?" by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Source / Act 1: 6. Berceuse | Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 1 | 10B | 105 BPM | ||
Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | G Major | 1 | 9B | 91 BPM | ||
Rossini: Semiramide: Giorno d'orrore - Semiramide, Arsace - Act Two | Gioachino Rossini, Dame Joan Sutherland, Monica Sinclair | D Major | 4 | 10B | 68 BPM | ||
La Bohème: Pavarotti’s first high C ever: Che gelida manina! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti | F Minor | 5 | 4A | 89 BPM | ||
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Andrea Chénier / Act 4: Come un bel dì di maggio | Umberto Giordano, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | F♯ Minor | 2 | 11A | 83 BPM |
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