"Fantasia on Russian Folksongs, Op. 48" by Anton Arensky, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Stephen Coombs was released on January 1, 1993. Since Fantasia on Russian Folksongs, Op. 48 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Arensky & Bortkiewicz: Piano Concertos (Hyperion Romantic Piano Concerto 4) by Stephen Coombs, Anton Arensky, BBC Scottish Symphony Orchestra, Sergei Bortkiewicz, Jerzy Maksymiuk. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fantasia on Russian Folksongs, Op. 48 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasia on Russian Folksongs, Op. 48 by Anton Arensky, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Stephen Coombs is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Suite No. 2, Op. 23, "Silhouettes": IV. Le reveur (The Dreamer) | Anton Arensky, Piano Duo Genova & Dimitrov | A♭ Major | 0 | 4B | 77 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM |
Section: 0.7322747707366943
End: 0.7371029853820801