"Messa da Requiem: III. Dies irae. Tuba mirum (Chorus)" by Giuseppe Verdi, Richard Hickox, London Symphony Orchestra, London Symphony Chorus was released on June 1, 1996. With Messa da Requiem: III. Dies irae. Tuba mirum (Chorus) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Requiem by Giuseppe Verdi, Richard Hickox, London Symphony Orchestra, Michèle Crider, Markella Hatziano, Gabriel Sadé, Robert Lloyd, London Symphony Chorus. The song's track number on the album is #3 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Messa da Requiem: III. Dies irae. Tuba mirum (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: III. Dies irae. Tuba mirum (Chorus) by Giuseppe Verdi, Richard Hickox, London Symphony Orchestra, London Symphony Chorus has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Messa da Requiem: III. Dies irae. Tuba mirum (Chorus) being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nabucco / Act 3: Oh, di qual'onta aggravasi | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 149 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Mir zu folgen, gab ich ihm ein Zeichen [Invitato A Qui Seguirmi] | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | A♭ Minor | 3 | 1A | 76 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Verdi: Requiem, IGV 24: VIIb. Dies irae | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Sonia Ganassi, Rolando Villazón, René Pape, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 3 | 8B | 119 BPM | ||
Macbeth / Act 3: Coro e Ballabile: "Ondine e Silfidi" | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 0 | 9B | 109 BPM | ||
Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus, Priests) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 2 | 5B | 92 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
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