Olivier Messiaen, Håkon Austbø's '20 Regards sur l'enfant-Jésus: VIII. Regard des hauteurs' came out on May 5, 1994. The duration of 20 Regards sur l'enfant-Jésus: VIII. Regard des hauteurs is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 20 Regards sur l'enfant-Jésus: VIII. Regard des hauteurs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Messiaen, Håkon Austbø's "Messiaen: Vingt Regards Sur L'Enfant Jesus" album is number 8 out of 20. Based on our statistics, 20 Regards sur l'enfant-Jésus: VIII. Regard des hauteurs's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 20 Regards sur l'enfant-Jésus: VIII. Regard des hauteurs by Olivier Messiaen, Håkon Austbø to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Études, Book 1: No. 4, Fanfares | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 2 | 3B | 119 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM |
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