"Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. Since Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #7 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene) by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene) being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" | Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM |
Section: 0.7226378917694092
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