Kurt Weill, London Sinfonietta, David Atherton's 'Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad' came out on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #6 out of 42 tracks. Based on our statistics, Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 5a. Tango-Ballad being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vacances | Georges Delerue | A Major | 6 | 11B | 123 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 2, September | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D Major | 1 | 10B | 70 BPM | ||
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM |
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