"Adams: Nixon in China: Act I, Scene 1 - (Beginning)" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. The duration of Adams: Nixon in China: Act I, Scene 1 - (Beginning) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Adams: Nixon in China: Act I, Scene 1 - (Beginning)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #1. In terms of popularity, Adams: Nixon in China: Act I, Scene 1 - (Beginning) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adams: Nixon in China: Act I, Scene 1 - (Beginning) by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Concerto-Notturno: I. Lento | Henryk Górecki, Piotr Plawner, Polish Chamber Philharmonic Orchestra, Wojciech Rajski | C Major | 1 | 8B | 83 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Music of Changes: I | John Cage, David Tudor | B♭ Minor | 0 | 3A | 115 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Emerson String Quartet | D Major | 1 | 10B | 129 BPM | ||
Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM |
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