"Un ballo in maschera / Act 1: "Che v'agita cosi?"" by Giuseppe Verdi, Christa Ludwig, Margaret Price, Luciano Pavarotti, The London Opera Chorus, Royal College Of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti was released on January 1, 1985. With this song being about 5 minutes long, at 5:19, "Un ballo in maschera / Act 1: "Che v'agita cosi?"" by Giuseppe Verdi, Christa Ludwig, Margaret Price, Luciano Pavarotti, The London Opera Chorus, Royal College Of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Un Ballo in Maschera by Giuseppe Verdi, Kathleen Battle, Renato Bruson, Christa Ludwig, Luciano Pavarotti, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti. The song's track number on the album is #7 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Un ballo in maschera / Act 1: "Che v'agita cosi?" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Un ballo in maschera / Act 1: "Che v'agita cosi?" by Giuseppe Verdi, Christa Ludwig, Margaret Price, Luciano Pavarotti, The London Opera Chorus, Royal College Of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Un ballo in maschera / Act 1: "Che v'agita cosi?" being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
Turandot / Act 1: "Signore, ascolta" | Giacomo Puccini, Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM |
Section: 0.7621879577636719
End: 0.7670621871948242