"Magnificat in D Major, BWV 243: VIII. Deposuit potentes" by Johann Sebastian Bach, La Chapelle Royale, Howard Crook, Philippe Herreweghe was released on 1990. The duration of Magnificat in D Major, BWV 243: VIII. Deposuit potentes is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Magnificat in D Major, BWV 243: VIII. Deposuit potentes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Bach: Magnificat; Cantata No. 80 by Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Magnificat in D Major, BWV 243: VIII. Deposuit potentes is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in D Major, BWV 243: VIII. Deposuit potentes by Johann Sebastian Bach, La Chapelle Royale, Howard Crook, Philippe Herreweghe is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
"Lagrime mie" (Lamento), Op. 7 | Barbara Strozzi, Ensemble Poïésis | E♭ Minor | 0 | 2A | 83 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Bach, JS: Christ lag in Todes Banden, BWV 4: No. 2, Chor. "Christ lag in Todes Banden" | Johann Sebastian Bach, Concentus Musicus Wien, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir | E♭ Minor | 3 | 2A | 83 BPM | ||
Magnificat: Et misericordia | Giovanni Battista Pergolesi, Elizabeth Vaughan, Dame Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze" | Johann Sebastian Bach, RIAS Kammerchor, Benno Schachtner, Akademie für Alte Musik Berlin, René Jacobs | B♭ Major | 0 | 6B | 87 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM |
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