"St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze"" by Johann Sebastian Bach, RIAS Kammerchor, Benno Schachtner, Akademie für Alte Musik Berlin, René Jacobs was released on March 25, 2016. St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze" is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 11 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Part 2: No. 35, Arie "Zerfließe, mein Herze" by Johann Sebastian Bach, RIAS Kammerchor, Benno Schachtner, Akademie für Alte Musik Berlin, René Jacobs is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 3 Harpsichords In C Major, BWV 1064: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
La Clemenza di Tito: Ouverture | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | C Major | 1 | 8B | 84 BPM | ||
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | ||
Mass in B Minor, BWV 232: Domine Deus (Soprano, Tenor) | Johann Sebastian Bach, Hannah Morrison, Peter Davoren, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 74 BPM | ||
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Benedictus | Joseph Haydn, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Minor | 1 | 5A | 111 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Dixit Dominus: Dixit Dominus: Coro "Dixit Dominus" | George Frideric Handel, Akademie für Alte Musik Berlin, Malcolm Bennet, Vocalconsort Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | F♯ Minor | 4 | 11A | 108 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064: I. - Allegro | Cologne Chamber Orchestra, Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
Admeto, Rè di Tessaglia: Aria "Chiudetevi, miei lumi" (I, 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | D Major | 0 | 10B | 137 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM |
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