"Admeto, Rè di Tessaglia: Aria "Chiudetevi, miei lumi" (I, 1)" by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl was released on 1999. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's "Handel: Ombra mai fù" album is number 4 out of 24. Based on our statistics, Admeto, Rè di Tessaglia: Aria "Chiudetevi, miei lumi" (I, 1)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Admeto, Rè di Tessaglia: Aria "Chiudetevi, miei lumi" (I, 1) by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Porpora: Meride e Selinunte, Act II: "Torbido intorno al core" (Ericlea) | Nicola Porpora, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 2 | 2A | 83 BPM | ||
Maddalena ai piedi di Cristo: No. 28 Duetto Amor Celeste, Amor Terreno "La mia virtude" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | A♭ Minor | 2 | 1A | 138 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Merope: Chi non sente al mio dolore | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 1 | 5B | 77 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | ||
Rinaldo: Aria: Ogni tua bella stilla | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM |
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