"Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Benedictus" by Joseph Haydn, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine was released on January 1, 1992. Since Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Benedictus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Berliner Philharmoniker, James Levine's "Krönungsmesse KV317/Paukenmesse (Classical Choice)" album is number 11 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Benedictus by Joseph Haydn, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in F Major, Wq. 54/1, H. 204: I. Allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 1 | 7B | 67 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Flute Trio No. 3 in G Major, Hob. IV:3: I. Spirituoso | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 138 BPM |
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