- BPM
- 111
- Key
- D♭ Major
- Camelot
- 3B
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) - Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max Information
- Acousticness
- 96%
- Danceability
- 56%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 58%
- Popularity
- 40%
- Loudness
- -20.956 dB
Summary
Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max made "St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto)" available on January 1, 1996. St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 4 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) BPM
The tempo marking of St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) by Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | |
 | Ihr Menschen, ruhmet Gottes Liebe, BWV 167: Chorale: Sei Lob und Preis mit Ehren (Chorus) | Johann Sebastian Bach, Joanne Lunn, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Minor | 1 | 4A | 82 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | |
 | Ännchen von Tharau | Friedrich Silcher, Michael Gees, Julian Prégardien, Christoph Prégardien | G Major | 1 | 9B | 105 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Mass in B Minor, BWV 232: Et in unum Dominum (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 78 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
- ISRC
- US2TL0940539
- Label
- L-M Records/RCA Records
Section: 0.7400727272033691
End: 0.7442426681518555