Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe
Carl Orff, Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball, Halle Choir, Maurice Handford, Hallé
Orff Carmina Burana
4:40 March 4, 2002
BPM
85
Key
A Major
Camelot
11B

Embed

Share Link

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - Carl Orff, Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball, Halle Choir, Maurice Handford, Hallé Information

Acousticness
98%
Danceability
18%
Energy
12%
Instrumentalness
94%
Liveness
10%
Loudness
67%
Speechiness
4%
Valence
3%
Popularity
Loudness
-19.512 dB

Summary

"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe" by Carl Orff, Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball, Halle Choir, Maurice Handford, Hallé was released on March 4, 2002. With this song being about 5 minutes long, at 4:40, "Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe" by Carl Orff, Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball, Halle Choir, Maurice Handford, Hallé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe BPM

With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe by Carl Orff, Manchester Grammar School Boys' Choir/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost/Michael Ball, Halle Choir, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Adagio in G Minor (formerly Attrib. Albinoni) by Remo Giazotto, I MusiciAdagio in G Minor (formerly Attrib. Albinoni)Remo Giazotto, I MusiciC Minor15A94 BPM
Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt by Franz Liszt, Gewandhausorchester Leipzig, Kurt MasurHungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - ExcerptFranz Liszt, Gewandhausorchester Leipzig, Kurt MasurG Major19B76 BPM
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] by Johann Sebastian Bach, Trevor Pinnock, European Brandenburg EnsembleBrandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro]Johann Sebastian Bach, Trevor Pinnock, European Brandenburg EnsembleF♯ Major42B101 BPM
Carmen Ballet Suite (after Bizet): IX. Torero by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutCarmen Ballet Suite (after Bizet): IX. ToreroRodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutF Major57B115 BPM
Carmina Burana Suite, Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine)John Krance, Carl Orff, Florida All-State Symphonic Band, Richard ClaryC Major38B74 BPM
Symphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). Presto by Antonín Dvořák, Luzerner Sinfonieorchester, James GaffiganSymphony No. 6 in D Major, Op. 60, B. 112: Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo (Furiant). PrestoAntonín Dvořák, Luzerner Sinfonieorchester, James GaffiganD Major110B138 BPM
Carmina Burana: In taberna quando sumus by Carl Orff, Cleveland Orchestra, Michael Tilson ThomasCarmina Burana: In taberna quando sumusCarl Orff, Cleveland Orchestra, Michael Tilson ThomasD♭ Minor112A143 BPM
Minuet from String Quintet in E Major, Op. 13 No. 5 by Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraMinuet from String Quintet in E Major, Op. 13 No. 5Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraA Major011B86 BPM
Carmina Burana Suite, Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): XII. Ave, formosissima (Hail to thee, most beautiful)John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. ParkerE Minor29A77 BPM
Voices of Spring Waltz, Op. 410 by Orchestra of the Viennese Volksoper & Alfred ScholzVoices of Spring Waltz, Op. 410Orchestra of the Viennese Volksoper & Alfred ScholzC Minor15A99 BPM
ISRC
GBAYD8200030
Label
L-M Records/RCA Records

Section: 0.7320919036865234

End: 0.7361710071563721