"Carmina Burana: In taberna quando sumus" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas was released on 1975. The duration of Carmina Burana: In taberna quando sumus is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Carmina Burana: In taberna quando sumus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #15. Based on our statistics, Carmina Burana: In taberna quando sumus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: In taberna quando sumus by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) | Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon | B♭ Major | 3 | 6B | 129 BPM | ||
Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | Felix Mendelssohn, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 89 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 4. Allegro con fuoco | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 132 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 103 BPM | ||
Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" | Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis | E Minor | 2 | 9A | 72 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Capriccio Espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | B♭ Major | 4 | 6B | 126 BPM |
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