Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon's 'Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus)' came out on 1998. With Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 53 in the song's album "Offenbach: Orphee aux enfers". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) by Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527: Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, John Macurdy, Ruggero Raimondi, José van Dam, Lorin Maazel | G Minor | 2 | 6A | 60 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: VI. L'île inconnue, H 87b | Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 81 BPM | ||
L'invitation au voyage | Henri Duparc, Véronique Gens, Susan Manoff | A Major | 1 | 11B | 174 BPM | ||
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
Bach, JS: St John Passion, BWV 245, Part 2: No. 24 "Eilt, ihr angefochtnen Seelen" (Bass) | Johann Sebastian Bach, Marc Minkowski, Colin Balzer, Les Musiciens du Louvre | F♯ Minor | 0 | 11A | 81 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Carmen / Act 1: "Quand je vous aimerai?"/Havanaise: "L'amour est un oiseau rebelle" | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 0 | 10B | 111 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
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