"Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent)" by Maurice Ravel, Cleveland Orchestra, Pierre Boulez was released on January 1, 1998. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ravel: Piano Concertos; Valses nobles et sentimentales". In this album, this song's track order is #11. In terms of popularity, Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) by Maurice Ravel, Cleveland Orchestra, Pierre Boulez having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Études-tableaux, Op. 39: No. 5, Appassionato | Sergei Rachmaninoff, Boris Giltburg | E♭ Minor | 1 | 2A | 66 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 74 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM |
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