"Études-tableaux, Op. 39: No. 5, Appassionato" by Sergei Rachmaninoff, Boris Giltburg was released on May 6, 2016. With this song being about 5 minutes long, at 5:22, "Études-tableaux, Op. 39: No. 5, Appassionato" by Sergei Rachmaninoff, Boris Giltburg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Rachmaninoff: Études-tableaux, Op. 39 & 6 Moments musicaux, Op. 16". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Études-tableaux, Op. 39: No. 5, Appassionato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Études-tableaux, Op. 39: No. 5, Appassionato by Sergei Rachmaninoff, Boris Giltburg having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Scherzo in E flat minor, Op. 4 | Johannes Brahms, Gerhard Oppitz | D Major | 1 | 10B | 114 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Lyric Pieces Book III, Op.43: 2. Solitary Traveller | Edvard Grieg, Emil Gilels | B Minor | 0 | 10A | 47 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki | D Minor | 1 | 7A | 109 BPM |
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