Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden made "Rossini : La Cenerentola : Act 1 "Signor...Altezza, in tavola" [Magnifico, Tisbe, Clorinda, Cenerentola, Ramiro, Dandini, Alidoro, Chorus]" available on 1993. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 50 in the song's album "Rossini : La Cenerentola". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Germany. Rossini : La Cenerentola : Act 1 "Signor...Altezza, in tavola" [Magnifico, Tisbe, Clorinda, Cenerentola, Ramiro, Dandini, Alidoro, Chorus] is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rossini : La Cenerentola : Act 1 "Signor...Altezza, in tavola" [Magnifico, Tisbe, Clorinda, Cenerentola, Ramiro, Dandini, Alidoro, Chorus] by Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Wiener Philharmoniker, Clemens Krauss | F♯ Minor | 2 | 11A | 76 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: III. Et resurrexit | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 1 | 12B | 130 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM |
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