Das Wiener Promenaden Orchester made "Trinkgeld (Trinke, Liebchen...) - Aus „Die Fledermaus“" available on December 22, 2011. Trinkgeld (Trinke, Liebchen...) - Aus „Die Fledermaus“ is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 7 out of 14 in Die schönsten Wiener Walzer von Lanner und Strauss by Various Artists. In terms of popularity, Trinkgeld (Trinke, Liebchen...) - Aus „Die Fledermaus“ is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Trinkgeld (Trinke, Liebchen...) - Aus „Die Fledermaus“ by Das Wiener Promenaden Orchester is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | B♭ Major | 0 | 6B | 64 BPM | ||
A Thing for a Moment | Tangolicious Ya | C Minor | 1 | 5A | 120 BPM | ||
Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
Roman Festivals, P. 157: IV. The Epiphany | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM | ||
Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Die Puppenfee (The Fairy Doll): No. 5 Moderato | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Minor | 0 | 7A | 98 BPM |
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