Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau)
Richard Strauss, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Sebastian Weigle
R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234
5:09 October 2, 2015
BPM
87
Key
A♭ Major
Camelot
4B

Embed

Share Link

Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau) - Richard Strauss, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Sebastian Weigle Information

Acousticness
27%
Danceability
11%
Energy
8%
Instrumentalness
28%
Liveness
13%
Loudness
55%
Speechiness
4%
Valence
5%
Popularity
Loudness
-26.85 dB

Summary

"Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau)" by Richard Strauss, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Sebastian Weigle had its release date on October 2, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau) BPM

With Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau) by Richard Strauss, Tanja Ariane Baumgartner, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Sebastian Weigle having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Hat es dich blutige Tranen gekostet (Amme, Frau) Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Salome, Op. 54 / Scene 1: Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen"Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliG Major09B82 BPM
Waltz No. 12 in F Minor, Op. 70 No. 2 by Frédéric Chopin, Stephen HoughWaltz No. 12 in F Minor, Op. 70 No. 2Frédéric Chopin, Stephen HoughA♭ Major04B76 BPM
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery GergievTchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - ThemaPyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery GergievB♭ Minor13A136 BPM
Symphony No. 3 in A Minor, Op. 56, MWV N 18, Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - LiveFelix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-SéguinF Major27B129 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: III. Moderato -Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major14B149 BPM
Wagner: Lohengrin, WWV 75: Prelude to Act 1 by Richard Wagner, Daniel Barenboim, Staatskapelle BerlinWagner: Lohengrin, WWV 75: Prelude to Act 1Richard Wagner, Daniel Barenboim, Staatskapelle BerlinD Minor17A144 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderatoFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Major011B69 BPM
M. Glinka: Overture To Opera M. Glinka: Overture To Opera "Ruslan and Lyudmila"Chicago Symphony Orchestra, L. SmitA Major111B82 BPM
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle by Richard Strauss, Renaud Capuçon, Jerome DucrosStrauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer QuelleRichard Strauss, Renaud Capuçon, Jerome DucrosE♭ Major35B100 BPM
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee by Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir AshkenazyThe Tale Of Tsar Saltan: 3. The Flight Of The Bumble-BeeNikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir AshkenazyD Minor07A187 BPM
ISRC
DEU921596412
Label
L-M Records/RCA Records