"Lélio, ou le retour à la vie, Op. 14bis, H. 55: No. 6, Fantaisie sur la Tempête de Shakespeare" by Hector Berlioz, Michael Tilson Thomas, Vance George, New York Philharmonic was released on January 5, 1998. Lélio, ou le retour à la vie, Op. 14bis, H. 55: No. 6, Fantaisie sur la Tempête de Shakespeare appears to be safe for all ages as it is not explicit. The song is number 7 out of 7 in Berlioz: Symphonie Fantastique: Classic Library Series by Hector Berlioz, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lélio, ou le retour à la vie, Op. 14bis, H. 55: No. 6, Fantaisie sur la Tempête de Shakespeare is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lélio, ou le retour à la vie, Op. 14bis, H. 55: No. 6, Fantaisie sur la Tempête de Shakespeare by Hector Berlioz, Michael Tilson Thomas, Vance George, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 131 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |
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