"Grande messe des morts, Op. 5, "Requiem": Hostias" by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison was released on June 18, 1999. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Berlioz: Requiem, Op. 5 by Hector Berlioz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Grande messe des morts, Op. 5, "Requiem": Hostias's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grande messe des morts, Op. 5, "Requiem": Hostias by Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Cessate, omai Cassai: Ah, Ch'infelice Sempre | Irish Film Orchestra, Mark Suozzo, Chloe Morgan | G Minor | 2 | 6A | 101 BPM | ||
A New Song | James MacMillan, Choir of St John's, Elora, Michael Bloss, Noel Edison | F♯ Minor | 0 | 11A | 168 BPM | ||
Khachaturian: Suite from Masquerade: I. Waltz | Aram Khachaturian, Orchestre Philharmonique de Radio France, Paavo Järvi | C Major | 3 | 8B | 96 BPM | ||
Miserere | Timothy Brown, Andrew Manze, Tim Handley, Liz Kenny, Gregorio Allegri, William Carter, Choir of Clare College, Cambridge, Jonathan Brown, Marshall Marcus, Jan Schlapp, Nicholas Parker, Jenny Ward - Clarke | G Minor | 0 | 6A | 77 BPM | ||
2 Rossetti Songs: No. 2. Remember | Stephen Chatman, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 75 BPM | ||
Columba aspexit, BN 54 | Hildegard von Bingen, Christopher Page, Emma Kirkby, Gothic Voices | E Major | 0 | 12B | 86 BPM | ||
Psalm 23, "The Lord is my Shepherd": Psalm XXIII | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 100 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Concerto n°5 en la mineur: Allegro ma non molto, Falk. 45 | Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel | A Minor | 2 | 8A | 78 BPM |
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