"Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace)" by Sergei Prokofiev, Orpheus Chamber Orchestra was released on January 1, 2005. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 17 in Energy Classics by Philharmonia Orchestra, Orpheus Chamber Orchestra, Wiener Philharmoniker, Claudio Abbado, James Levine, Lorin Maazel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) by Sergei Prokofiev, Orpheus Chamber Orchestra is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | G Major | 3 | 9B | 140 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Symphony No.3 In E Flat, Op.97 - "Rhenish": 4. Feierlich | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Minor | 1 | 2A | 76 BPM | ||
Symphony No. 1 in D Minor, Op. 13: II. Allegro animato | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 89 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Cello Concerto in E minor, Op.85: 3. Adagio | Edward Elgar, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 1 | 6B | 79 BPM | ||
Divertimento No.11 In D, K.251 "Nannerl-Septett": 5. Rondeau. Allegro assai | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | D Major | 1 | 10B | 125 BPM | ||
Aus Italien, Op. 16: 1. Auf der Campagna | Richard Strauss, Berliner Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 81 BPM |
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