Gustav Holst, Ross Pople's 'St. Paul's Suite Op. 29/2: Finale (The Dargason)' came out on February 2, 1996. The duration of St. Paul's Suite Op. 29/2: Finale (The Dargason) is about 3 minutes long, at 3:14. Based on our data, "St. Paul's Suite Op. 29/2: Finale (The Dargason)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Holst, Ross Pople's "Holst: St. Paul's Suite, Fugal Concerto f. Flute, Oboe and Strings" album is number 4 out of 19. On top of that, Germany appears to be the country where this track was created. St. Paul's Suite Op. 29/2: Finale (The Dargason) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Paul's Suite Op. 29/2: Finale (The Dargason) by Gustav Holst, Ross Pople to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 9, "Antar": III. Allegro risoluto | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 0 | 11B | 71 BPM | ||
The Hebrides - Overture (Fingal's Cave) Op. 26 | Felix Mendelssohn, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 115 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Pines Of Rome, P. 141: 1. The Pines Of Villa Borghese | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 102 BPM |
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