"Musica Poetica II: Es sungen drey engel" by Carl Orff, Tölzer Knabenchor, Kölner Kinderchor was released on 1964. The duration of Musica Poetica II: Es sungen drey engel is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Musica Poetica II: Es sungen drey engel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 113 in Carl Orff & Gunhild Keetman: Musica Poetica by Carl Orff, Tölzer Knabenchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Musica Poetica II: Es sungen drey engel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musica Poetica II: Es sungen drey engel by Carl Orff, Tölzer Knabenchor, Kölner Kinderchor is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Requiem in C Minor: Introitus - Kyrie | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Minor | 0 | 5A | 57 BPM | ||
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IV. Tanz: Uf dem anger (Dance: On the lawn) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | C Major | 2 | 8B | 137 BPM |
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