Gilbert & Sullivan, West End Performers made "GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022)" available on January 16, 1962. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gilbert & Sullivan, West End Performers's "Mikado (Remastered 2022)" album is number 4 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022) by Gilbert & Sullivan, West End Performers to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Iolanthe | Gilbert & Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey | A♭ Major | 2 | 4B | 91 BPM | ||
Petrushka, K012 (1947 Version), Pt. 1, "The Shrovetide Fair": I. Introduction - II. The Crowds - III. The Charlatan's Booth | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
The Mikado | Gilbert & Sullivan, The D'Oyly Carte Opera Company, Ella Halman, Martyn Green, Isidore Godfrey | E♭ Major | 3 | 5B | 109 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Seven Last Words - Third Word - Theodore Dubois | Theodore Dubois, Exultate | A Minor | 0 | 8A | 91 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
The Mikado: The Flowers That Bloom In the Spring | Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan | E♭ Major | 2 | 5B | 109 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM |
Section: 0.8462569713592529
End: 0.8503701686859131