"Iolanthe" by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey was released on 2001. The duration of Iolanthe is about 3 minutes long, at 3:01. Based on our data, "Iolanthe" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras's "Gilbert & Sullivan: Iolanthe; Pineapple Poll" album is number 5 out of 50. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Iolanthe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iolanthe by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
Vittoria, Mio Core! | Chai-lun Yueh | A Major | 5 | 11B | 124 BPM | ||
Adieu, mein kleiner Gardeoffizier - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots, Dorona Alberti, The Golden Voices Of Gospel | F Major | 5 | 7B | 84 BPM | ||
Frühlingsbotschaft, Op. 114 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Andrea Chénier, Act I: Colpito qui m'avete ... Un dì all'azzurro spazio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Teil 7 - Folge 10: Lebende Bilder - toter Mann | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Gesche Schultes-Schmoll, Klaus Miedel, Klaus Jepsen, Wolfgang Condrus, Andreas Thieck | A♭ Major | 5 | 4B | 108 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM |
Section: 0.8048086166381836
End: 0.810511589050293