Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan made "The Mikado: The Flowers That Bloom In the Spring" available on 1999. With The Mikado: The Flowers That Bloom In the Spring being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Mikado (English National Opera Cast Recording)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Mikado: The Flowers That Bloom In the Spring is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Mikado: The Flowers That Bloom In the Spring by Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
The Mikado: Young Man, Despair, Likewise Go To | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | A♭ Major | 0 | 4B | 89 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin) | Richard Strauss, Ann Murray, Anna Tomowa-Sintow, Kurt Moll, Alan Opie, Barbara Bonney, Jennifer Rhys-Davies, John Dobson, Gordon Sandison, Paul Crook, Leah-Marian Jones, Bonaventura Bottone, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Andrew Davis | A Minor | 3 | 8A | 84 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
La Vestale: Ô des infortunés | Gaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di Palermo | B♭ Major | 2 | 6B | 87 BPM | ||
Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Hugh the Drover, Act II: Pt. 10. Now You Are Mine! | Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best | B♭ Major | 1 | 6B | 78 BPM |
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