Hugh the Drover, Act II: Pt. 10. Now You Are Mine! - Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best Information

Acousticness: 97%
Danceability: 19%
Energy: 8%
Instrumentalness: 0%
Liveness: 59%
Loudness: 58%
Speechiness: 5%
Valence: 13%
Popularity: 0%
Loudness: -25.076 dB

Summary

"Hugh the Drover, Act II: Pt. 10. Now You Are Mine!" by Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best was released on July 1, 1994. Hugh the Drover, Act II: Pt. 10. Now You Are Mine! is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Hugh the Drover by Ralph Vaughan Williams, Bonaventura Bottone, Corydon Orchestra, Matthew Best. The song's track number on the album is #10 out of 35 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hugh the Drover, Act II: Pt. 10. Now You Are Mine! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hugh the Drover, Act II: Pt. 10. Now You Are Mine! BPM

Since Hugh the Drover, Act II: Pt. 10. Now You Are Mine! by Ralph Vaughan Williams, Rebecca Evans, Bonaventura Bottone, Corydon Orchestra, Matthew Best has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hugh the Drover, Act II: Pt. 10. Now You Are Mine! being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Hugh the Drover, Act II: Pt. 10. Now You Are Mine! Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3, "Pastoral Symphony": II. Lento moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	G Minor	0	6A	88 BPM
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile	Pyotr Ilyich Tchaikovsky, New Haydn Quartet	B♭ Major	0	6B	89 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento	Antonín Dvořák, Škampa Quartet	D Minor	0	7A	87 BPM
Requiem, Op.48: 4. Pie Jesu (I)	Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	B♭ Major	0	6B	72 BPM
Requiem, Op. 48: VIII. In Paradisum	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris	D Major	1	10B	74 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile	Joseph Haydn, Kodály Quartet	G Major	0	9B	106 BPM
Young Birches, Op. 128, No. 2	Amy Beach, Joanne Polk	F♯ Minor	1	11A	170 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	68 BPM

ISRC: GBAJY9490210
Label: L-M Records/RCA Records

Section: 0.7393219470977783

End: 0.7431190013885498