"Folk Songs (1964): Lo fiolairé (From Canteloube's "Songs of the Auvergne")" by Joseph Canteloube, Luciano Berio was released on 1973. The duration of Folk Songs (1964): Lo fiolairé (From Canteloube's "Songs of the Auvergne") is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Folk Songs (1964): Lo fiolairé (From Canteloube's "Songs of the Auvergne")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 23 in Berio: Recital I For Cathy & Folk Songs by Luciano Berio. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Folk Songs (1964): Lo fiolairé (From Canteloube's "Songs of the Auvergne") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Folk Songs (1964): Lo fiolairé (From Canteloube's "Songs of the Auvergne") by Joseph Canteloube, Luciano Berio is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Uno Jointo Postouro, Serie 5, No. 5 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | G Major | 2 | 9B | 87 BPM | ||
La Delaissado, Serie 2, No. 5 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | F Minor | 0 | 4A | 70 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM | ||
Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
Canteloube : Chants d'Auvergne : L'Antouèno | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | B♭ Major | 4 | 6B | 82 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM |
Section: 0.6861371994018555
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