"Eight Part-songs, Op. 119: The Bluebird" by Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Eight Part-songs, Op. 119: The Bluebird is about 3 minutes long, at 3:22. Based on our data, "Eight Part-songs, Op. 119: The Bluebird" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Eight Part-songs, Op. 119: The Bluebird is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Part-songs, Op. 119: The Bluebird by Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D Major | 1 | 10B | 61 BPM | ||
The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM | ||
Eternal Father | Charles Villiers Stanford, Robert Bridges, The Choir of Magdalen College, Oxford, Mark Williams | D Major | 1 | 10B | 83 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
3 Sacred Hymns: No. 3. Otche nash (Our Father) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 0 | 5B | 73 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM |
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