"Uno Jointo Postouro, Serie 5, No. 5" by Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard was released on January 1, 1990. The duration of Uno Jointo Postouro, Serie 5, No. 5 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Uno Jointo Postouro, Serie 5, No. 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Songs Of The Auvergne". In this album, this song's track order is #4. Uno Jointo Postouro, Serie 5, No. 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Uno Jointo Postouro, Serie 5, No. 5 by Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Canteloube : 3 Bourrées : I L'Aïo dé Rotso | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 64 BPM | ||
Walton : Incidental Music to Henry V : 'Touch her soft lips and part' | William Walton, Chamber Orchestra of Europe, Douglas Boyd | C Major | 0 | 8B | 77 BPM | ||
Canteloube: Chants d'Auvergne, Series 1: No. 3, Bourrée I "L'aio de rotso" | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux | G Major | 2 | 9B | 93 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped | Karl Jenkins, London Philharmonic Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Canteloube : Chants d'Auvergne : Lou diziou bé | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon | G Major | 1 | 9B | 94 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM |
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