"Sancta Maria" by Jean-Baptiste Fauré, Enrico Caruso, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sancta Maria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sancta Maria by Jean-Baptiste Fauré, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Les rameaux | Jean-Baptiste Fauré, Enrico Caruso, Walter B. Rogers | C Major | 1 | 8B | 130 BPM | ||
Tannhäuser - Paris version / Act II: Dich, teure Halle, grüß ich wieder | Richard Wagner, Cheryl Studer, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 2 | 9B | 73 BPM | ||
La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | D Major | 2 | 10B | 104 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Adriana Lecouvreur, Act I : Ecco, respiro appena… Io son l’umile ancella | Francesco Cilea, Arturo Colautti, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
El Amor Brujo: Canción del fuego fátuo | Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | E Major | 1 | 12B | 0 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Aida / Act 1: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM |
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