"La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid was released on January 15, 1954. With this song being about 5 minutes long, at 5:09, "La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ruperto Chapí, Miguel Ramos Carrión, Various Artists, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid's "La Zarzuela: La Tempestad" album is number 7 out of 19. In terms of popularity, La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered by Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
El Año Pasado por Agua: "Introducción y Coro General" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | C Major | 2 | 8B | 92 BPM | ||
El Puñao de Rosas: "Introducción y Coro" | Arniches, Asensio Más, Ruperto Chapí, Gran Orquesta de Cámara de Madrid | F Minor | 5 | 4A | 80 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Per te d'immenso giubilo ... Per poco fra la tenebre" (Chorus, Arturo) | Gaetano Donizetti, Valiano Natali, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Voluntarios | Orquesta Y Coros Montilla | C Major | 6 | 8B | 128 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
El Rey Que Rabió: "Terceto: Mi amor" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM |
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