"Les rameaux" by Jean-Baptiste Fauré, Enrico Caruso, Walter B. Rogers was released on 1990. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Based on our statistics, Les rameaux's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les rameaux by Jean-Baptiste Fauré, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | ||
Aida / Act 2: Danza di piccoli schiavi mori "Vieni: sul crin ti piovano" | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Lucia di Lammermoor, Act III: S'avanza Enrico | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Stefano Antonucci, Zuzana Markova, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F♯ Major | 3 | 2B | 124 BPM | ||
Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 2: "Pasteurs, que vos accents s'unissent" (Melchthal, Chorus) | Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Gwynne Howell/Charles Burles/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli | E Major | 3 | 12B | 69 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Unis dès la plus tendre enfance" (Pylade) | Christoph Willibald Gluck, Georges Prêtre, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM |
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