"La Traviata: "Ah, Fors'è Lui" and "Sempre Libera"" by Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland was released on August 18, 2021. Since La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Opera Favourites" album is number 4 out of 8. La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" by Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Atto primo - scena 2, 3 e 4 | Simone Bacci, Francesco Maria Piave | B♭ Major | 2 | 6B | 123 BPM | ||
Petite Suite, L.65: 1. En bateau | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | C Major | 0 | 8B | 63 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | C Major | 1 | 8B | 83 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Simon Boccanegra, Act I: Cielo Di Stelle Orbato | Francesco Maria Piave, Boris Christoff, Gabriele Santini, Giuseppe Campora, Giuseppe Conca, Orchestra Del Teatro Dell'Opera Di Roma, Paolo Caroli, Paolo Dari, Sylvia Bertona, Tito Gobbi, Victoria de los Ángeles, Walter Monachesi | F Major | 5 | 7B | 85 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | G Major | 1 | 9B | 122 BPM |
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