Tatjana Komarova, Sheila Arnold made "Thema mit Variationen: No. 3, Variation II" available on April 2, 2004. With Thema mit Variationen: No. 3, Variation II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 43 in the song's album "Thème varié". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Germany. Thema mit Variationen: No. 3, Variation II is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Thema mit Variationen: No. 3, Variation II by Tatjana Komarova, Sheila Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Mélancolie, FP 105 | Francis Poulenc, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Endless Serenity | Marco Risolino, Ludovico Leone | E Minor | 0 | 9A | 68 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 14 - 15 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM | ||
Prelude No. 9 | Federico Mompou, Olena Kushpler | D♭ Minor | 0 | 12A | 68 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Summertime Variations: Var. 1 | Claudio Constantini | G Minor | 2 | 6A | 110 BPM | ||
Spring: (The Seasons, Ballet In One Act 1947) | John Cage | D Minor | 0 | 7A | 128 BPM |
Section: 0.7096292972564697
End: 0.7203996181488037