Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau's 'Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato' came out on May 24, 2024. With this song being about 5 minutes long, at 5:07, "Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato" by Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Brahms: Clarinet Sonatas, Horn Trio by Johannes Brahms, Geoffroy Couteau, Nicolas Baldeyrou, Antoine Dreyfuss, Amaury Coeytaux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata for Clarinet and Piano No. 2 in E-Flat Major, Op. 120 No. 2: II. Allegro appassionato by Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
ウィーン奇想曲 | Fritz Kreisler, Mie Kobayashi, 江口玲 | D Minor | 1 | 7A | 86 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
F-A-E Sonata (arr. for Cello and Piano by Torleif Thedéen): III. Scherzo | Johannes Brahms, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 95 BPM | ||
Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114 | Franz Liszt, Rudolph Ganz, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM | ||
Variations on a theme of Paganini: Var. 3 & Var. 4. Meno mosso, marziale | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Kroll: Banjo and Fiddle | William Kroll, Augustin Hadelich, Orion Weiss | A Major | 2 | 11B | 160 BPM | ||
Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | Maurice Ravel, Angela Hewitt | D♭ Major | 0 | 3B | 65 BPM |
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