"Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua" by Modest Mussorgsky, Robert Neumann was released on January 12, 2024. The duration of Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Robert Neumann's "Mussorgsky: Pictures at an Exhibition" album is number 11 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua by Modest Mussorgsky, Robert Neumann to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude Op. 23 No. 6 in E-Flat Major: Andante | Sergei Rachmaninoff, Park Eun Shik | A♭ Major | 1 | 4B | 151 BPM | ||
In the Mists, JW VIII/22: III. Andantino | Leoš Janáček, Lars Vogt | F♯ Minor | 0 | 11A | 80 BPM | ||
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig | Robert Schumann, George Li | F♯ Minor | 0 | 11A | 92 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Sea Pieces, Op. 55: No. 6, from the Depths | Edward MacDowell, Harold Bauer, Peter Phillips | B♭ Major | 0 | 6B | 70 BPM | ||
Fission | Alfonso Peduto | F Major | 0 | 7B | 70 BPM | ||
C:1 The Watermill | Esther Kahn, Dinara Klinton | B Minor | 0 | 10A | 108 BPM | ||
Children's Album, Book 1: No. 7, The Cavalry | Aram Khachaturian, Tsovinar Suflyan | C Major | 2 | 8B | 129 BPM |
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