- BPM
- 65
- Key
- B Minor
- Camelot
- 10A
St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester - Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 0%
- Instrumentalness
- 52%
- Liveness
- 11%
- Loudness
- 61%
- Speechiness
- 6%
- Valence
- 6%
- Popularity
- 12%
- Loudness
- -23.107 dB
Summary
"St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester" by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist was released on March 27, 2020. With St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester BPM
The tempo marking of St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 8. Aria, "Verdammter Verräter, wo hast du dein Herze" (Petrus) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Jonathan Sells | A♭ Minor | 2 | 1A | 96 BPM | |
 | Vivaldi: Dixit Dominus in D Major, RV 594: V. Juravit Dominus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | B Major | 3 | 1B | 108 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 2: No. 35. Geduld! Wenn mich falsche Zungen stechen | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Mark Le Brocq | A♭ Minor | 1 | 1A | 112 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
| St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq | F Major | 2 | 7B | 101 BPM | |
 | Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Lisa Larsson, Bogna Bartosz | D♭ Major | 2 | 3B | 101 BPM | |
 | Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe | Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 91 BPM | |
| St. Matthew Passion, BWV 244, Pt. 1: No. 8. Blute nur. du liebes Herz | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Sophie Bevan | B♭ Minor | 0 | 3A | 114 BPM | |
 | Mass in B Minor, BWV 232: Christe eleison | Johann Sebastian Bach, Akademie für Alte Musik Berlin, René Jacobs, Hillevi Martinpelto, Bernarda Fink | B♭ Minor | 4 | 3A | 100 BPM | |
 | II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM |
- ISRC
- GBMY51903741
- Label
- L-M Records/RCA Records
Section: 0.6199154853820801
End: 0.6235685348510742