Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe
Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs
J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)
1:54 October 7, 2013
BPM
91
Key
E♭ Minor
Camelot
2A

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Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe - Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs Information

Acousticness
82%
Danceability
40%
Energy
29%
Instrumentalness
0%
Liveness
70%
Loudness
77%
Speechiness
5%
Valence
35%
Popularity
Loudness
-13.846 dB

Summary

Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs's 'Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe' came out on October 7, 2013. With Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 36 out of 70. In terms of popularity, Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe BPM

We consider the tempo marking of Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe by Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe Key

This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.14202165603637695

End: 0.14634394645690918