"St. Matthew Passion, BWV 244, Pt. 1: No. 8. Blute nur. du liebes Herz" by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Sophie Bevan was released on March 27, 2020. With this song being about 5 minutes long, at 4:36, "St. Matthew Passion, BWV 244, Pt. 1: No. 8. Blute nur. du liebes Herz" by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Sophie Bevan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. Matthew Passion, BWV 244, Pt. 1: No. 8. Blute nur. du liebes Herz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244, Pt. 1: No. 8. Blute nur. du liebes Herz by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Sophie Bevan is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Matthäus-Passion, BWV 244, Part II: No. 54, Choral "O Haupt voll Blut und Wunden" | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | D Major | 2 | 10B | 97 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denly, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Nun ist das Heil und die Kraft, BWV 50 | Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 135 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 2 | 3B | 138 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist) - Bist du nicht seiner Junger einer (Chorus) – Recitative: Er leugnete aber und sprach (Evangelist, Petrus, Servus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 80 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | A Major | 2 | 11B | 100 BPM |
Section: 0.6129205226898193
End: 0.6174709796905518