Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872" available on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872's duration is considered a little bit shorter than the average duration of a typical track. The song is number 54 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.3 in C sharp major BWV872 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Daniel Barenboim | C Minor | 0 | 5A | 66 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: III. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873 | Daniel Barenboim | D♭ Minor | 0 | 12A | 121 BPM | ||
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 | Daniel Barenboim | D Minor | 0 | 7A | 96 BPM | ||
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 53 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM |
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