Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873' came out on 2004. With this song being about 5 minutes long, at 4:42, "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873" by Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 55 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Suite en Sol: Les Triolets | Jean-Philippe Rameau, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
Allegro in D Major, Wq. 116/25, H. 251 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 1 | 10B | 182 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.4 in C sharp minor BWV873 | Daniel Barenboim | D♭ Minor | 2 | 12A | 180 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.20 in A minor BWV865 | Daniel Barenboim | A Minor | 1 | 8A | 116 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. Allegro | Bedřich Smetana, Jitka Čechová | F♯ Minor | 1 | 11A | 90 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Suite en La: Premier double de la Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 91 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | C Major | 1 | 8B | 81 BPM |
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