- BPM
- 101
- Key
- D♭ Major
- Camelot
- 3B
Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten - Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Lisa Larsson, Bogna Bartosz Information
- Acousticness
- 98%
- Danceability
- 55%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 81%
- Popularity
- 2%
- Loudness
- -21.154 dB
Summary
On March 6, 2007, the song "Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten" was released by Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Lisa Larsson, Bogna Bartosz. The duration of Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Ton Koopman's "J.S. Bach: Cantatas Vol. 14" album is number 12 out of 68. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten BPM
We consider the tempo marking of Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten by Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Lisa Larsson, Bogna Bartosz to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Wer mich liebet, der wird mein Wort halten BWV 74: Chorus: Wer mich liebet, der wird mein Wort halten Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
- ISRC
- NLK170300012
- Label
- L-M Records/RCA Records
Section: 0.7641501426696777
End: 0.7679295539855957