On March 27, 2020, the song "St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz" was released by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq. The duration of St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Canticle | Academy of Ancient Music, Paul Goodwin | F Minor | 0 | 4A | 81 BPM | ||
Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: VI. Courante - Double | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 90 BPM | ||
Rossi, Salomone : Sinfonia a 3 | Salomone Rossi, Il Giardino Armonico | F♯ Major | 0 | 2B | 168 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 3 | 3B | 112 BPM | ||
Flute Sonata in B minor / si mineur / h-moll: IV. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Morning Service in D Major, Z. 232: Jubilate Deo | Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | D♭ Major | 1 | 3B | 67 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM |
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