"Funeral Canticle" by Academy of Ancient Music, Paul Goodwin was released on June 21, 2013. With this song being about 5 minutes long, at 5:13, "Funeral Canticle" by Academy of Ancient Music, Paul Goodwin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 87 in ECM Selected Signs III - VIII by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Funeral Canticle is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Funeral Canticle by Academy of Ancient Music, Paul Goodwin is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 134 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM | ||
Miserere | Gregorio Allegri, Tenebrae | G Minor | 0 | 6A | 73 BPM | ||
Lux aeterna | György Ligeti, Daniel Reuss, Cappella Amsterdam | C Major | 0 | 8B | 54 BPM | ||
The Dying Soldier (Trad.) | Nigel Short, Tenebrae | C Major | 1 | 8B | 77 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Tavener: Lamentations and Praises: XIX. Resurrection in Hadës | John Tavener, Chanticleer, Handel and Haydn Society of Boston Ensemble, Joseph Jennings | C Major | 2 | 8B | 106 BPM | ||
Spem In Alium (Tallis) | The King's Singers | B♭ Major | 2 | 6B | 138 BPM |
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